I liked it a lot. And it got me to thinkingâ€¦.
If youâ€™re my True Friend, youâ€™ll click on the pic and view Johnny and Kris tearing it up in an excellent live performance of â€˜Folsom Prison Bluesâ€™. If you donâ€™t do this first, you may not realize just how relentlessly, mind-bogglingly, self-aggrandizingly clever are the lyrics that I’ve written.
Then: Fast Zombie Blues
EDIT: I’ve gotten some really good critique from the maniacs at KVR and done a remix of this song. Mostly just some balancing of track levels, changing some reverb, EQ’ing a bit, and a few other tweaks. Not a done deal yet; I think I still need to sort out the bass line more. But I think this mix sounds a lot more polished and am quite pleased with it.
I played it live at the recent Samhain gathering outside Dripping Springs, and John realized, as I hadnâ€™t, that this is actually a teaching song. This is the sort of wisdom that needs to be passed on by the tribal elders around the campfire, so that the young ones whoâ€™ve never experienced an infestation will have a framework that gives them a better chance of survival.
Iâ€™ve spent the entire weekend recording and mixing my magnum opus, and my ears and brain are fried. I have no perspective on it any more. Iâ€™ve tried it on two speaker systems and through headphones, but mixes sometimes translate poorly. And I think itâ€™s a little slow. I may revisit it and speed it up some.
I welcome comments on the mix and other relevant items.
EDIT: Okay, so I’m a little obsessive. I bumped the speed on the song from 95 bpm to 105 bpm, and replaced the original in my link above with the new Fast Zombie version. Fortunately, Reaper, which is my recording software and is the best goddam software in the galaxy, uses Elastique Pro, the very best pitch and time-stretching algorithm on the market. I can’t hear any artifacts in the new version.
It’s a real toe-tapper now.