Is There a Napoleon of Crime in the House?
Bradley Denton
In 1893, Sir Arthur Conan Doyle killed off Sherlock Holmes – a character he had been writing about with great success since 1887′s A STUDY IN SCARLET – in a story called “The Adventure of the Final Problem.” Conan Doyle reportedly felt that the Holmes stories were keeping him from accomplishing more important work, so his solution (ironically) was “The Final Problem.”
As it turned out, though, Conan Doyle had a problem beyond “The Final Problem”: Namely, that Holmes wouldn’t stay dead.
Readers loved Holmes. So did Conan Doyle’s publishers. In other words, nobody wanted Sherlock Holmes dead except the man who’d created him.
So after eight years of pressure, Conan Doyle responded with 1901′s THE HOUND OF THE BASKERVILLES, but set the story an unspecified number of years before the events of “The Final Problem.” That way, he could give his publishers and his public a little more Holmes, but still make sure that the arrogant old cokehead stayed dead.
In other words, Conan Doyle would control Holmes. Holmes wouldn’t control him.
Yeah. Right. Good luck with that, Art.
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